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good example, plenty of variations. and you look like Russel Crowe. : )

Jamie is the teacher for us regular Joe’s.

Killer damning jazz sounds, man! I hate how RUclips's algorithm still sucks so much that it hadn't recommended your channel in my feed after all these years online, and I found it while searching for title keywords instead of relativity and your music ...✌️🔥

How would you use that over chords?

Absolutely works! Sounds great Jamie 😊

This is gold thank you Jamie!

Sounds great, even on a nylonstring this played material would sound fine. Great Louis Bonfa tune by the way, I also have this on my repertoire, greetings Vic

Sounds great❤

I think we've come far enough in jazz history to see that "jazz tone" is defined by content rather than equipment/accessories. You've beautifully demonstrated that here!

Sounds great! Almost gives it a Latin jazz feel to it.

Nice post! 2 questions... what do you recommend for increasing speed once I learn these tunes? And, how would you look at soloing on them?

The newer Cubes - in my experience- all had unbearable hiss at gig levels. I have never found a closed back amp that does not sound “ nasal” to my ears. Unfortunately the only amp i have found golden- is a twin. Which is… large. I am hoping the upcoming g release of a tone master Bassman might be it. Great demonstration and playing. Ty.

years later, thank you. how are you getting the crunchy tone?

Thanks for the review! What jazz son are you playing? I’d like to learn it on my telecaster!

It may be good for jazz but terrible for blues. Not much sustain or warmth.

Great lesson ❤ thanks 😊

So do I play scales? Arpeggios?

Such a good idea to have the chord sheet displayed and showing ehere you are.

That's one beautiful guitar 👍

Great comping!

Very cool Jamie…TY for these great ideas. They are very helpful to us🍻

Lovely playing here!

Great heads to learn the vocabulary of Jazz.

Great Jamie...but I prefer Eric Clapton's version

Scale length affects string tension and , therefore, string guage preferences.....right ?

👍👍👍👍👍

It could happen to you one of my favourite jazz songs

Thx for sharing your great ideas and concepts in such a compact and clear way 🙂👍

Jimmy Bruno is the most underrated jazz guitarist of all time

Very good Jamie!

Yay -- Chet!

Definitely more fundamentals in the tone of the hard tail Strat; very Tele like. That “boinginess” that regular Strats have is gone, in every position. But that’s why I prefer the Tele…

Really helpful video ! Thank you for sharing !

My Spin on tonewoods. If you are playing without plugging in, sure there are sublte differences. Mahogany vs ash or rosewood vs maple as examples. But IMO. As soon as you plug in, you can get most sounds with amps and pedals and wood type is nonsense. Just my spin. Play Loud 🇦🇺🦘

Tim Lerch plays rounds with plain 3rd, 12 to 52. And Tim is basically a god of jazz and blues so..

I think they both sound incredible, to be honest. Some people really do think that a dark wood fretboard makes a difference. I believe they’re listening more with their eyes.

Gorgeous Tone, and flawless execution as per usual, man! 🙏🏼❤️ 🙌🏼 Beautifully done

Thank you for the perspective! My sonic pathway went the opposite way; starting out with then new digital tech while being the first time in a recording studio, to playing live with tube amps only. Counterintuitive, in a way ;) The main reason for my choice is individual agency: as pointed out in the vid, tube tech, or rather its reactivity allows to sculpt one's tone some more to taste - a more 'accurate' translation of one's playing technique, and in consequence, one's voice. Not speaking about the given quality of the amp's tone, e.g. specific tubes or the general maintenance status, a lesser aspect. This can probably also be achieved with digital or solid state solutions by now, just preferring the simple and direct way, especially when there's no need for vastly different tones during one gig. Regarding maintenance, and again agency, it's likely more feasible to teach oneself even how to fix tube amp issues by oneself, taking advantage of dated tech, rather than being able to repair any of the printed circuits in newer tech a couple years from now. Or having to buy something new to find one's own tone again

Hey I stumbled on root five six seven similar

Got it, thanks 👍. By the way, my 2 jazz boxes are a Nash t 52 and t 63 Tele as well as a 1947 Kay arch top that has been set up and plays/ sounds wonderful especially for chord melody. Appreciate your teaching style. Steve.

Hi Jamie, I’m a jazz guru member, how can I get the pdf ? Which one is out of the choices ?Thanks, Steve

You are a marvelous teacher. Thank you.

I have a Gibson Les Paul (which I love) but was keen to get a 335. Not wanting to drop the cash on a Gibson 335, I got a 2022 Epiphone 335. Fantastic guitar BUT there wasn’t much tonal difference. Ended up selling the 335 as I prefer the smalller LP body shape. Moral of the story is try both and get the one that resonates with you… or get both if you have the space and money 😅

Interesting that Tim Lerch considered the early Roadworns to be inferior to the later Vintera Roadworns. Mainly in the neck. He has a video where he explains this.